Today, this trick doesn´t work anymore, now the carrot goes by the name of artistic entrepreneurship, the WASPish doctrine allows for performativity,
but it requests identity. Any role can be taken on, as long as it is done in a coherent and affirmative way. It stays in fact quite close to the romantic
constructions, with worldly success at the end of the road instead of eternal glory. But maybe the more fundamental discovery of Romanticism
was the discrepancy that could exist between social individuality grown into and artistic subjectivity taken on. The Way of the Novel comprises
positions that share a sense for the possibilities of this split.
Adam Kaplan, Conversations with The Mother, 2008
Dominik Sittig, Untitled, 2014
Dorota Halina Gaweda and Egle Kulbokaite with Agatha Valkyrie Ice (with Clemence de la Tour du Pin)
Agatha 1.2.0.2 //// http://i.telegraph.co.uk/multimedia/archive/01663/hilton_1663052c.jpg //// breaking dawn, 2015
Photo, tablet, SUPERNOVA MOD1
Hatsune Miku, Best of, 2008 – 2014
Thomas Jeppe, Der Besserwisser in Aspekt, 2015
Enamel on linen, hand-painted silk, Mimetic Club Bulletin issue 7, photocopy transfer with pencil and acrylic on glass, copper, wood, cork, thumbtacks, artist frame
Agatha Valkyrie Ice, Zayne Armstrong, Ana Andra (cast), Ep.1 Welcome to Ai Crib, 2015
Flora Klein, Not Yet Titled (mint), 2015
Flora Klein, Not Yet Titled (light blue), 2015